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Archive for the ‘Scenic Props’ Category

“Aerialists and Giant Flowers” from Elizabeth Barrett

In Assistantship, Carpentry, Internship, Scenic Design, Scenic Paint, Scenic Painting, Scenic Props, Technical Direction, Uncategorized on May 23, 2017 at 6:08 AM

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This week was incredibly busy as we approached tech week for the Elizabethan productions. This means the shop was split between installing pieces in the Lizzy and constructing finishing touches back at the shop. I spent a lot of my time working on the mechanical marvels that are The Merry Wives flowers that bloom mid-production. This has been a crossover between the properties department and scenic carpentry and everyone had been involved. Thus, I have been able to work alongside OSF’s talented prop’s department making human sized flowers bloom.

This weekend I attended at Aerialist showcase at The Le Cirque Center. Several OSF employees are Aerialist’s and showcased their work at the scene shop party in April. I was amazed by their performances so I attended another one yesterday. I love how many artists in OSF branch out for their specific fields through venues like The Le Cirque Center, The Open Mic Night, and Midnight Projects. It allows theater artists, who almost always have more than one specialty, the ability to continue to grow in all areas they are passionate about. This specific performance had over 12 Aerialists demonstrate acrobatic skills on silks, ropes, hoops, and bars. It was mildly terrifying to watch them in the air doing acrobatic tricks and suddenly dropping and catching themselves at the last moment. I would highly recommend going to see a show there!

“Week 3 Update” from Elizabeth Barrett

In Carpentry, Green Show, Internship, Scenic Design, Scenic Paint, Scenic Painting, Scenic Props, Uncategorized, Welding on April 18, 2017 at 11:33 PM

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This week I started working on the construction of Merry Wives of Windsor. The shop works at a staggered pace with different productions being built simultaneously. We are currently constructing Merry Wives alongside Beauty and the Beast and it has been intriguing to see both being built alongside each other. Throughout this process, as a scenic carpentry intern, I have been able to work alongside different carpenters as we move from project to project. Construction techniques vary depending on each person, thus I have gained many tips and advice from each person I work with. The Merry Wives set uses the beautiful Lizzie theater as inspiration and builds on to that with more doorways and embellishments. Despite my continued struggle to insure everything is square, I am proud of the work I have done this week on the construction of the main doorway for Merry Wives. It is satisfying to construct something that gets to belong onstage alongside the work of extremely talented carpenters, designers, and theatre artists.

This week I also attended the Hip-Hop Open Mic night at the Black Swan. It was an amazing event and a good introduction to the Ashland community. Everyone involved was incredibly warm and welcoming and those performing at the open mic all shared wonderful work. The performers read stories, performed songs they had written, and read poetry. It was a wonderful way to connect with the OSF community outside of the main theatres. I look forward to going again on May 8th!

“Graduate School…How? When? Where? WHY?!” from Cassandra del Nero

In Assistantship, Carpentry, Props, Richard L. Hay Fellowship, Scenic Design, Scenic Paint, Scenic Painting, Scenic Props, Technical Direction, Uncategorized on April 12, 2017 at 12:08 PM

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As I sit in the OSF Shuttle three nights a week, sometimes driving company members home and sometimes whiling away the hours with memorizing songs and honing my drawing skills- I decided I should at least attempt to be productive in that time frame.

What it has amounted to is this: research for future assistantships, job offers for young designers, and graduate school possibilities.

What I found first was the need to set my priorities: What did I want from a program?

My number 1 priority was a school that looked at design with a scenographic or at least dual emphasis process. This would allow students to pursue more than one avenue of design and to learn more about the cohesive nature of collaboration.

My second priority was that the school also teach classes in builds (scenic and costume) to better inform the design process. If one does not understand how something is built- it can be easy to stray into the impossible (or extremely expensive). This has been doubly enforced to me as I discuss Off the Rails with Richard, and Unison with Rick. As we design (and assist in designing) these shows, we must compare them with the demands of the build. For instance, if a unit is built at 8 ‘-6” wide, but the plank lines for the wall are at 1’-0” increments, there will be a very visible divide at the location of the door. This is not aesthetically pleasing. This is just one of many such examples where we must discuss the function of a scenic unit before it is even passed underneath the eyes of the Technical Direction team.  With those ideals as my jumping off point- I’ve found a few options. And they’re no slouch! NYU’s Tisch School of the Arts, Yale’s Department of Drama, Northwestern’s Stage Design Degree, London’s Central School of Speech and Drama, Trinity College’s School of the Arts- and a few others. The uniting factors here? All excellent schools, and with wonderful reputations, and all with staging costs in attendance and moving fees.

The options I did find for attendance on the West Coast face the same failings, but often did not have teaching assistantships available. As such, I’m beginning to plan for attending graduate school in 2018 or 2019, giving me more time to decide what and how I want to learn… It begins!

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