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A Discovery from Erik LaDue

In Erik LaDue, Fellowship, Richard L. Hay Fellowship, Scenic Design on January 26, 2014 at 10:03 PM

Erik LaDue 12.4

Took some time off of the Richard III model to help with Coconuts.

Having used a laser cutter to pre-cut most of the pieces for our chair and table piece, all that was left was gluing everything together. I was introduced to the ease and velocity of using a combination of Super Glue and Accelerator. I’ve been limiting myself to regular craft-glue in the past, now I’m going through a kind of enlightenment. No more time waiting for things to dry before moving to the next project, instead I’m setting and forgetting as I make brisk laps around my to-do list. While stopping to un-stick some fingers that I glued together, I couldn’t help but think “This is tops!”

Some would say what I was doing with pre-fabricated chair parts is the lazy way out. They would compare our use of a laser cutter to purchasing a model set from a hobby store. I say: the Art is in the final product, not how much “human” contribution there was to the process. If it serves to use computer aided drafting to make multiple copies of a chair design, so be it! Our job is to execute a design, not burn hours on repetitious chairs.

The Richard III design is coming along smoothly. It’s almost done. Rick Anderson has been passing me updated drafting plates in the last week with more details to include in our elaborate stair units. Not yet committed to being glued to the model box of the Elizabethan Theater, the stair units are looking like multi-legged giraffes.

We had to make an emergency call to the scene/paint shops: The director wanted to change a few things about a scenic unit for Coconuts. Hold the phone while we figure this out, guys.

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