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ArtEquity Facilitator Training

In Uncategorized on June 22, 2017 at 6:10 PM


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We are excited that you are interested in attending our 2017 training!

We invite you to submit the interest form below by June 30, 2017 as spaces are limited.
You may begin this form, save it, and come back to complete it at a later time.


training schedule

two intensive retreats
3PM Thursday, September 7 –
1:30PM Sunday, September 10, 2017

3PM Thursday, October 19 –
1:30PM Sunday, October 22, 2017

program overview

Training will take place during two intensive retreats in Los Angeles, California, hosted by East West Players and the Latino Theater Company/ Los Angeles Theatre Center. The trainings are scheduled at least a month apart to allow participants time to reflect on the themes presented, interact with peers in the cohort, and to practice facilitation skills. Participants will be expected to attend both retreat sessions. Find more informaiton about the training and artEquity online here

do you need help or have any questions?

If you need an extension of time, or have any questions with any part of the interest submission process, please email the artEquity team at info@artEquity.org, or reach us by phone at (213) 986-5792.

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“Aerialists and Giant Flowers” from Elizabeth Barrett

In Assistantship, Carpentry, Internship, Scenic Design, Scenic Paint, Scenic Painting, Scenic Props, Technical Direction, Uncategorized on May 23, 2017 at 6:08 AM

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This week was incredibly busy as we approached tech week for the Elizabethan productions. This means the shop was split between installing pieces in the Lizzy and constructing finishing touches back at the shop. I spent a lot of my time working on the mechanical marvels that are The Merry Wives flowers that bloom mid-production. This has been a crossover between the properties department and scenic carpentry and everyone had been involved. Thus, I have been able to work alongside OSF’s talented prop’s department making human sized flowers bloom.

This weekend I attended at Aerialist showcase at The Le Cirque Center. Several OSF employees are Aerialist’s and showcased their work at the scene shop party in April. I was amazed by their performances so I attended another one yesterday. I love how many artists in OSF branch out for their specific fields through venues like The Le Cirque Center, The Open Mic Night, and Midnight Projects. It allows theater artists, who almost always have more than one specialty, the ability to continue to grow in all areas they are passionate about. This specific performance had over 12 Aerialists demonstrate acrobatic skills on silks, ropes, hoops, and bars. It was mildly terrifying to watch them in the air doing acrobatic tricks and suddenly dropping and catching themselves at the last moment. I would highly recommend going to see a show there!

“Juneteenth” from Roberta Inshco-Cox

In Assistantship, Community Producitons, Directing, Green Show, Uncategorized on May 21, 2017 at 8:05 AM

JuneteenthblogFor the past few weeks, I’ve been working on co-curating Oregon Shakespeare Festival’s Juneteenth celebration, which this year will be held on Monday, June 19th, with Sam White, JaMeeka Holloway and Nemuna Ceesay. Last year I was able to attend Juneteenth as a community member because I was in town to see a weekend of shows. Now, I’m excited to be a part of the actual planning of the event, the curation of the material to be performed, and working as an ally alongside my fearless co-curators.

Juneteenth is a world-wide celebration to commemorate the end of slavery in the United States. Traditionally, Juneteenth services and events around the world have focused on community and education. I remember last year, a couple poignant moments were Christopher Henry Young’s choreography to “Rise up,” and the repetition of “yesterday was Emmet Till, Emmet Till was yesterday,” by a FAIR participant,  who popped up from the audience unexpectedly. Both were powerful and full of emotion, and ones that have stayed with me for a year now; a sort of emotional education.

This year our theme is “For Us, By Us: celebrating black joy, resilience and resistance,” and our goal is to move away from using this event to educate, but rather celebrate the joy of the black community, the resilience to move forward even in times of trouble, and the welcoming of ally-ship. Our curating team has already put in a ton of work, but I’m already feeling the pressure of time, as we only have a month left to wrap up planning, building the set list, and scheduling rehearsals for our choreography moments. Thankfully, we have also commissioned Christopher Henry Young to choreograph our opening number, and our first rehearsal was this week! Such beautiful work! He’s a joy to work with, and I had a ton of fun participating in learning his choreography. It was a blast, and I felt very welcomed! Planning this event has really challenged me, not allowing myself to hide away in my room when I’m not in rehearsals for Merry Wives of Windsor. I was originally nervous to speak up about wanting to participate in the organizing of Juneteenth, but I’m so glad that I did. My own community while here in Ashland has expanded ten-fold, and I’m feeling engaged and active in a completely different way.

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